describing my dear friend in a few words might be a little bit of a challenge. i would like to say that he is very creative, but it might sound lame and not doing him justice. i would like to say that he is an artist but then again, he would run me over with a car since he refuses the whole arty thing. so let’s just say that he has very different talents and interests. and a lot of passion for them on top of that.
* he is sketching like a dieu, the most incredible characters, mainly on the road using public transportation.
* he is into animation (which is by the way his meal ticket) and creating short films (yes, he ♥ le cinéma)
* he loves the internetz which translates in many many websites, more than you and me, all of us together can call our own
* he writes poems and short stories with charmingly disturbing content. preferably under pressure of time and giving the whole thing a nice visual touch. which is basically the idea of fanstasien in absynth.
* right now, he is mostly into mixing things up creating music with an output of a record label. make sure to check out the tracks below especially made for this occasion!
who is this guy?
well, he has many names. and characters. up to the point that you never know who is really calling when his number is on the display.
let me present you herr doktor focks aka angelika zerstörung aka rudolph-volker von schott.
putting it all in a few words? he is one of my all time favorites since “everything is possible chez le docteur“
how would you describe your own taste in music?
very eclectic. i’m listening to almost every musical style – except hardcore and punk, perhaps. it really depends what mood i am in. i once listened to the carpenters a whole day through. madness – one might say, but karen carpenter’s voice really is mesmerizing. in the end i am more of a rap person, loving the beats and soulful samples. but i wanted to dig deeper and started to listen heavily to oldschool rnb and funk, northern soul, 70s and 80s slo-jams, quiet storm and the like.
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your own music style could be described as…
experimental, wonky, electronic with a healthy dose of hip hop culture thrown in. i like to cut up everything in little pieces, throw ‘em around and see how they might be reassembled again, layer upon layer
what is the biggest challenge which you did encounter lately in making music?
oh, to be honest, having no formal training whatsoever in composing music, reading and writing notes or playing a real instrument. i wish i was able play the piano. also, mastering and structuring the tracks is still a problem. i am still learning and it is a new kind of journey for me. i always wanted to do something like that but i did not know how. since virtually every musical instrument can be reinterpreted via plug ins and the right software, everybody can turn their pc into a digital audio workstation and start recording. so the technology is at your fingertips, but you still have a lot to learn and discover on the way. this, of course, is challenging but it will never get boring.
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five bands/singers which you never get tired of:
todd rundgren, j dilla, madlib, luke vibert, daft punk
which songs do you recommend for a long day of work?
kelis feat. too $hort – bossy (braxe & falke remix)
lykke li – i’m good i’m gone (fred falke vocal remix)
ladyhawke – dusk till dawn (linus loves remix)
marsimoto – smokingz ft. gabreal
hall & oates – method of modern love
b.b. & q band – (could never say) it’s over
jermaine jackson – castles of sand
celph titled – just a feelin’ ft majik most
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…and which ones are perfect for a summer evening?
there is only one song: kool and the gang – summer madness (both the live and the studio version)
let’s take a step forward toward the movie section. which movies have to be seen by us immediately?
if you haven’t seen it already you have to check out john carpenter’s the thing. no cgi effects come close to the marvels that special make-up genius rob bottin concocted for this 1982 masterpiece. then there is my all time favourite robocop, directed by dutch enfant terrible paul verhoeven.
i am also a big fan of brian de palma’s work. his visual style is unmatched. check out body double, but be warned, it is not for the squeamish.
and which movies are overrated in your eyes:
james cameron’s titanic and every michael bay movie or jerry bruckheimer production.
what makes a good movie in your opinion?
a strong script and an excellent cast can carry the whole movie. add a little visual pizzaz, but don’t make it too flashy. a nice twist ending or something truly thought provoking helps, too. all in all, it is hard to say. i think there is no recipe for making a good movie. In the end you have to feel that someone was putting his heart into the project, lived and breathed it. if you can feel that a movie is a work of art, devotion, blood, sweat and tears, chances are it might be a really good one.
does the cinematographic language have an impact on your writing?
almost everything i do is heavily influenced by the movies and subconsciously this also influences my writing, but not so much as in a structured, scripted way. i am rather a visual storyteller. i rarely write longer short stories, but poems and lyrical fragments that paint certain pictures in the reader’s head. words, as silly as they may sometimes seem in my work, are like colour. if you mix them together or sprinkle them here and there, they form a bigger picture, a strange world that may look different dependent on the recipient.
which place does sketching occupy in your life?
i sketch every day while on my way to work. but since i started making music in january this year (thanks to my mentor mikko), i kind of hibernate regarding the effort i put into it. that’s not to say i gave it up completely. but you do not have so much spare time to dedicate yourself to everything you like to do. so it shifts, that is why i am making more beats and snippets of music right now. the dedication is still there and i always carry a sketchbook with me.
do you have a favorite theme?
right now i am really into drawing weird faces and tentacles. plus i have to step up my anatomy. this will always be a major theme. people, faces, bodies. that kind of stuff. weirdness can be found in every of my sketches.












